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This Season's Trends

Customize Your Style >
Chantal's Secret:>
Risks and Rewards of the Birkin Bag >
Let the Fur Fly >
Family Jewels >
LA Finds >
Ins and Outs of 2005 >
Young Parisian Chic>
Couture Snowbunny>
Haute Couture Fashion Week>
São Paulo Fashion Week >
In the Bag >
Hollywood's Hottest Shoes >
The Best RTW of Europe >
Looking for Fashion's Spring >
LA Finds Spring 05 >

Featured Designers
Vivienne Westwood >
Jenni Kayne >
Brasil Anunciação >
as four Interview >
New West Coast Designers >
Elsa Schiaparelli >
Louis Verdad >
Au Bar with Alber >
Fashion Blues >
Passing the Torch at Geoffery Beene>
The Legend of Winston>
LVMH Sells Lacroix Couture >
Spring 2005 Carol Christian Poell >
A Jeweled Passion >
Sculpture to Wear >
Coco Kliks Interview >
Alber Reaches the Summit >

Runway Report
Haute Couture - Spring '05 >
São Paulo Fashion Week >
Paris Men's Wear - Fall '05 >
Paris - Fall '05 >
Milan - Fall '05 >
NY - Fall '05 >
LA - Fall '05 >
London - Fall '05 >
SF Fashion Week >

Tracy Reese is another designer who has traditionally referenced vintage throughout her always feminine, girlie, and whimsical collections, and admits to being inspired by rich color and fabric mixes (when she uses black, it is rarely if ever on its own, but mixed with exuberant hues). This season, she cited Vuillard and Poiret as inspiration for a decidedly deco infused collection in which she balanced masculine with feminine, and also played with volume.  Colors like lilac, shades of blue, caramel, cerise, peach, and bright cherry, were given depth through embossed velvet, lace, beading, chenille brocade, and flower corsage beading, but if one thing stands out, it was Tracy's love affair with gold- the color and the metal. Ochre gold, fatigue gold, fabrics shot with gold, and gold sequins helped light up the runway, as did her great Gerard Yosca accessories. Like Anna Sui, this is one woman who believes that anything worth doing is worth overdoing.

Standouts include the ochre gold film embroidered scoop neck blouse with glen plaid cuffed trouser; the gold collar coat over Vuillard landscape blouson camisole with orchid gold film embroidered skirt; a camel fur trimmed coat over nectar gold film embroidered frock; the pumpkin vintage velvet cardigan over nectar gold film embroidered shell worn with camel gilded wool cuffed trouser; a gold sequined 'swag' shift; and a fatigue gold shot princess coat and fitted trouser with flesh toned blouse. Just a note, Tracy wanted to concentrate on noteworthy evening coats, because she's always thought it was challenging to find that great piece to throw over an evening dress. She certainly succeeded.

 


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