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What is it about animated Disney villainesses that make them
so deliciously haute couture? Take my favorite villainess from
the 1961 Disney production, 101 Dalmatians. For
Cruella De Vil, white fox and sable coats were not enough---she
had to have Dalmatian skin. And if that weren’t sick enough,
she was after a litter of new born Dalmatian puppies in the care
of a tee totaling, non smoking heroine who preferred the Amish
look over Cruella’s couture elegance. The puppies were cute,
but by the early sixties, I was a child fashionista and crazy
for Madame De Vil. I regret the moral of the tale was lost on
me. The idea of sweeping around in fur coats under which lay slinky
ensembles in the only colors Cruella considered acceptable---black,
white and red----now, this was my idea of fashion heaven.
But before Cruella was Maleficent, the arch demon-ness in the
1959 animated production of Sleeping Beauty.
So Sleeping Beauty had fairy Godmothers who bestowed upon her
dresses in pink and blue! Maleficent got to wear a purple and
black gown with a double high collar and a chic black turban that
I failed to realize was supposed to resemble horns.
I could go on and on---Bette Davis in All About Eve,
the Austrian countess in The Sound of Music….why
is it that the evil babes were so incredibly well dressed? And
why did the heroines look like hillbillies who had never ventured
into polite society? What was Hollywood telling us, anyway? Stay
away from haute couture or you will turn into a devil woman from
hell?
Many men and women are afraid of the power
of a beautiful, elegantly dressed woman. The Catholic Church
as well as Fundamentalist Christian churches regard true chic
as “immoral” and it is an
ax they regrettably grind on their television channels at every
opportunity. Remember, it is just a mere three hundred years ago
that New England women considered too attractive or too alluring
were put to the stake and burned.
Hollywood
has only partially learned its lesson. The movie goer in the nineties
had to learn to love Meg Ryan or Julia Roberts looking rumpled
and uncoiffed. In this century, Halle Berry and Charlize Theron
received their Academy awards by minimizing to the extreme their
exceptional beauty. Beauty and elegance are heavenly gifts not
generously passed out. Twentieth century artists, usually white
males, were so afraid of feminine beauty that they made a cult
of disparaging it. Things are changing, perhaps. Perhaps it is
just my wishful thinking. But I encourage our readers to embrace
elegance wherever and whenever you can. Life is tough these days,
so whether on the street or on the screen, enjoy the very occasional
haute couture bad girl.
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