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Customize Your Style >
Chantal's Secret:>
Risks and Rewards of the Birkin Bag >
Let the Fur Fly >
Family Jewels >
LA Finds >
Ins and Outs of 2005 >
Young Parisian Chic>
Couture Snowbunny>
Haute Couture Fashion Week>
São Paulo Fashion Week >
In the Bag >
Hollywood's Hottest Shoes >
The Best RTW of Europe >
Looking for Fashion's Spring >
LA Finds Spring 05 >
Hollywood's Hottest Shoes >
The Best RTW of Europe >
Couture Chameleon >
It's Open Season >
Crystal Swim Suits and Lingerie >
Lacroix to Stay >

Featured Designers
Vivienne Westwood >
Jenni Kayne >
Brasil Anunciação >
as four Interview >
New West Coast Designers >
Elsa Schiaparelli >
Louis Verdad >
Au Bar with Alber >
Fashion Blues >
Passing the Torch at Geoffery Beene>
The Legend of Winston>
LVMH Sells Lacroix Couture >
Spring 2005
A Jeweled Passion >
Sculpture to Wear >
Coco Kliks Interview >
Alber Reaches the Summit >
Carol Christian Poell >
Collette Dinnigan >

Runway Report
Haute Couture - Autumn '05 >
São Paulo Fashion Week >
Paris Men's Wear - Spring '06 >
Paris - Fall '05 >
Milan - Spring '06>
NY - Spring '06>
LA - Fall '05 >
London - Spring '06>
SF Fashion Week >


PARIS, March 2, 2005 - The Stella Cadente show, produced by Stanislassia Klein, featured a hodgepodge of ideas with no clear message: fur hats, summertime prints, hallucinogenic colors, and peculiar breastplates and crowns popping up here and there. Program notes unfortunately did little to help clarify the matter. From them, we learn that Mucha is a spy from the great cold, Mata Hari is the beast that sleeps, Wendy is ready to follow you, and Miss Me is going to miss you. These explanations, like the collection, need a clearer translation.

 

 



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