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This Season's Trends

Customize Your Style >
Chantal's Secret:>
Risks and Rewards of the Birkin Bag >
Let the Fur Fly >
Family Jewels >
LA Finds >
Ins and Outs of 2005 >
Young Parisian Chic>
Couture Snowbunny>
Haute Couture Fashion Week>
São Paulo Fashion Week >
In the Bag >
Hollywood's Hottest Shoes >
The Best RTW of Europe >
Looking for Fashion's Spring >
LA Finds Spring 05 >
Hollywood's Hottest Shoes >
The Best RTW of Europe >
Couture Chameleon >
It's Open Season >
Crystal Swim Suits and Lingerie >
Lacroix to Stay >

Featured Designers
Vivienne Westwood >
Jenni Kayne >
Brasil Anunciaçăo >
as four Interview >
New West Coast Designers >
Elsa Schiaparelli >
Louis Verdad >
Au Bar with Alber >
Fashion Blues >
Passing the Torch at Geoffery Beene>
The Legend of Winston>
LVMH Sells Lacroix Couture >
Spring 2005
A Jeweled Passion >
Sculpture to Wear >
Coco Kliks Interview >
Alber Reaches the Summit >
Carol Christian Poell >
Collette Dinnigan >

Runway Report
Haute Couture - Autumn '05 >
Săo Paulo Fashion Week >
Paris Men's Wear - Spring '06 >
Paris - Fall '05 >
Milan - Fall '05 >
NY - Fall '05 >
LA - Fall '05 >
London - Fall '05 >
SF Fashion Week >


For Fall 2005 Bora Aksu reinvents Little Red Riding Hood. Still larger than life, she captures the imagination with a sculpture-like silhouette. Further, as opposed her trademark crimson cape she travels through the forest in captivating asymmetrical chiffon dresses distinct with sinuous hemlines.

Bora Aksu’s positively sophisticated; undeniably imaginative creations are cast in reserved grays, plums and browns with refreshing splashes of tangerine, lime and burgundy. Layering is the key to the supple appearance of the clothes. Hand crocheted sweaters and cardigans add a little spice to the mix. While certain pieces give the feeling of a slow and prolonged ‘disintegration’ as if the fabrics are leisurely unraveling, the overall feeling surrounding the collection is one of solidarity.

The most original pieces of Aksu’s repertoire come in the form of garbs merged with wood carvings. Blurring the line between tailoring and carpentry these constructions prove that the borders between different forms of art are rather fluid.


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